The third episode, “Where No Man Has Gone Before“, is the second one produced, and was actually a second pilot for the series, so we are missing a couple of regulars in Uhura and, importantly, Dr McCoy. The other thing you notice instantly is that the Enterprise crew uniforms are of an older style, slightly baggy, with little turtleneck collar thingies. And then there’s Spock, whose eyebrows are extremely severe and upswept – the make-up would be toned down slightly later. We also get the first mention of Spock’s family background, with the fact that his alien father married a human coming up in conversation.

The 1960s intrudes on the science fiction with mention of books being stored on “tapes”. This also came up in “Charlie X”, when Charlie first arrives on board the Enterprise and someone says that they have plenty of “entertainment tapes” to keep him amused. And you notice that when books (and medical records of crew) are displayed on viewscreens, they look like microfiche readers, rather than modern display screens. Obviously this couldn’t really be helped making a TV show in the 60s, but it’s still amusing.

This episode also provides an example of reality overtaking the science fiction future. Gary Mitchell and Dr Elizabeth Dehner share a romantic moment over a sonnet “written on the Canopius planet in 1996”. I wonder if in the mid-60s people really thought that humans would be colonising other planets before the end of the 20th century. Sorry, guys!

The plot of this episode is another “human turns into godlike being”, which is a bit unfortunate, because it follows hot on the heels of “Charlie X” in the episode release chronology, making two episodes in a row with a similar main plot. However, this episode has one of the coolest pieces of background matte art in any episode of Star Trek: the painting of the lithium cracking station on Delta Vega. That painting alone makes this episode worth watching. But you’ll notice one thing on it is the pentagonal door archway. While they look cool, pentagonal doorways are rather silly, as demonstrated when a couple of crew members have to duck under the sloping edges to avoid banging their heads.

And last but not least, we have the first fist fight in which Kirk’s shirt gets ripped! Not content with fighting a mere man, Kirk takes on his old friend Gary Mitchell, who has been transformed into a god-like being with enormous reality-altering powers. No need to tell you who prevails. Although with his powers Mitchell does generate a grave for Kirk, complete with headstone, on which we see the name “James R. Kirk”. I guess Gary wasn’t close enough of a friend to know that Kirk’s middle name would later be revealed to be Tiberius. (It hadn’t been decided when this episode was written.)

Body count: Entire crew of SS Valiant (at least 7 people), 9 unspecified casualties during Enterprise‘s encounter with the Galactic barrier, navigator Lieutenant Kelso (strangled by a cable psychicly wielded by Mitchell), Gary Mitchell (punched out by Kirk and buried in Kirk’s grave), Dr Elizabeth Dehner.
Tropes: Humans Are Psychic In The Future, Glowing Eyes Of Doom, Psychic Powers, Science Marches On, A God Am I, Zeerust, Raygun Gothic, Self Destruct Mechanism, Good Old Fisticuffs, Clothing Damage, Did You Just Punch Out Cthulhu.
(Image © 1966 Paramount Studios, used under Fair Use.)

The second episode aired (but the 8th produced) is “Charlie X“. Being an early episode, they are still getting into the groove of things with this one. We don’t see Sulu at all, but we do see more of the Unresolved Sexual Tension between Spock and Uhura in a memorable scene in the recreation room. Spock plays the Vulcan lute and Uhura sings a song with suggestive lyrics, indicating her view that Spock is some sort of heart-breaker. Interestingly, as Uhura encourages Spock to play, he flashes an obvious smile – something he tends not to do later in the series.

3D chess plays a plot-important role in this episode, but I also noticed that when it is first shown there’s another 3D game on the same table, which looks a bit like a 3D version of checkers. Some post-viewing research proves this to be so! Well, I’ve learnt something I didn’t know about Star Trek before.

Another plot point is introduced when Kirk mentions that it is “Thanksgiving back on Earth”. I found this curious. Apparently in the 23rd century, the entire Earth has adopted American customs and holidays. We also learn that the Enterprise has a cook, who prepares food in ovens in the ship’s galley. I thought this was odd at first, because later they have food replicators – but some research shows that they only appeared in The Next Generation. Clearly my Star Trek memories are slightly garbled.

I’ve long wondered about the relationship between Yeoman Janice Rand and Captain Kirk. This episode provides an interesting bit of dialogue that can be read in a number of ways. When it becomes obvious that the 17-year-old Charlie has a crush on Rand, Kirk tries to talk some sense into him, and says that any relationship between Charlie and Janice can never happen: “The years are wrong for one thing. And… there are other things.” Does this imply Rand is involved with someone else? We never (in the entire series) see anyone else who this could feasibly be, except for Kirk himself. Hmmmm.

Perhaps it’s obvious by now, but if not, these reviews are not necessarily going to go much into the actual plot of the episodes. I’m just recording a brain dump of things I notice and think are worth commenting on, often in the context of knowledge of the entire series or from our 21st century cultural perspective. I guess most of you know the plots, and if not, I’ll always link to the episode summary on Memory Alpha.

Body count: Entire crew of Antares (number not specified). One redshirt “disappeared”, one junior yeoman turned into an iguana, several crew members’ faces removed, Janice Rand “disappeared”, but all returned as before at the end.
Tropes: Psychopathic Manchild, Reality Warper, Raised By Wolves, Friendless Background, Unresolved Sexual Tension, Stalking Is Love, Surprise Checkmate, Shirtless Scene, Rapid Aging, The Blank, Sufficiently Advanced Alien, Deus Ex Machina.
(Image © 1966 Paramount Studios, used under Fair Use.)

Rummaging through my DVDs last night looking for something to watch in the hour before bedtime, I decided it was time to start rewatching the original run of Star Trek again. And what better way to celebrate than by blogging a few comments on every episode as I watch it? I’m sure there are dozens of people doing the same thing, but why let a little thing like that stop me?

Technical notes first: I have the original non-remastered DVD edition of the episodes, packaged in plastic boxes with a groovy 1960s shape, in the three uniform colours: yellow, red, blue. The boxes look great, but are a real pain to get the discs out of and back into. At some point I may have to pick up the remastered versions.

Anyway, the first episode of Star Trek that ever went to air, and the first in order in the DVD set, is “The Man Trap“. This was actually the 6th episode produced, but was promoted to first to air because it had a relatively straightforward plot, showed off an alien planet, and had a “monster” in it to create thrills. And a memorable monster it is – everyone familiar with Star Trek knows the salt vampire!

As the first episode to air, it’s interesting to see that it has several of the features you want in an introductory episode. All of the major characters are referred to explicitly by name, first soon after they appear and then most of them again later on. But we are also thrown straight into some character moments that obviously have backgrounds. Dr McCoy’s old flame is a plot element and won’t be returning in later episodes, but the romantic tension between Uhura and Spock is encapsulated nicely and will become a recurring theme.

The other thing that struck me was how obviously this episode was set in the social attitudes of the day. Star Trek was of course progressive for its time, with a black female senior officer – and an Asian helmsman and an alien first officer – without any particular attention drawn to the fact that this was not unusual on a starship crew. But there are also some glaring moments of 1960s sexism present, such as when Dr Robert Crater laments that he likes the solitude of living alone on an alien archaeological planet, but states plainly that his wife, being a woman, obviously needs social contact. And there is a scene where two male crewman are ogling and making suggestive comments about Yeoman Janice Rand.

And in this episode we see the first of the mixed moral messages that Star Trek seems to deliver. Dr Crater makes an appeal for the life of the creature, stating that it is the last one of its kind and making allusions to the passenger pigeon and – of all things – the American bison (which he calls “buffalo”). Spock makes the connection, pointing out how the passenger pigeon and “buffalo” are now regrettably extinct – a future prediction made in the days of 1960s environmentalism, which seems out of date now, but in a good way, because it’s now much less likely that the bison will die out. So this comes across as a laudable message about the preservation of species. It’s all undone at the end though, when the creature is unceremoniously killed. Presumably being a danger to the Enterprise crew trumps any concerns over species preservation.

In this episode it’s unclear who Yeoman Rand is assigned to assist. She’s shown taking a meal to Sulu and discussing his exotic alien plants with him, and is in no scenes with Kirk. If this was the only episode you ever saw, you’d assume she worked for Sulu. Those plants, by the way, are very hokey, with one animate specimen obviously someone with a hand in a fuzzy pink glove. I don’t remember if we ever see Sulu cultivating plants again – it seems like it’s being set up as a character note for him, but I don’t recall it appearing any other time.

Another feature that becomes obvious in this episode is just how much tighter television writing is these days. Several minutes of the plot could have been condensed into a fraction of the time – it really felt like they were padding it out to fill the hour (minus ad time). But even given all of these criticisms, it’s a decent 50 minutes of television drama, and certainly not the worst Star Trek episode.

Body count: 3 dead Enterprise crew, 1 dead salt vampire.
Tropes: Last Of His Kind, Doppelganger, Doppelganger Replacement Love Interest, Shape Shifter Guilt Trip, This Was His True Form, Jeannie Cut.
(Image © 1966 Paramount Studios, used under Fair Use.)